Tyler, The Creator is extending his creative reach with a featured role in Marty Supreme, the latest film directed by Josh Safdie and starring Timothée Chalamet. Released on December 25, the movie casts Tyler as Wally, a taxi driver whose presence becomes central to the story’s emotional orbit. It is one of his most substantial acting roles to date. The project arrives as Tyler continues to balance music, fashion, and film with increasing ease. Following the film’s debut, Tyler marked the moment with a series of behind-the-scenes photos shared on Instagram. The images captured candid moments alongside Chalamet, Safdie, and members of the cast and crew. His caption conveyed both the intensity and spontaneity of the production: “MARTY SUPREME IN THEATERS NOW, GLUE YOUR EYES OPEN. What a time. Thank you, Josh. We started shooting this film the same week CHROMAKOPIA dropped. What a blast. I embrace diving headfirst into the unknown—it’s pure, raw newness. Don’t watch this on a couch with distractions; catch it on the big screen. Enormous love to the entire team, big silly Wally.” View this post on Instagram Inside the World of Marty Supreme Marty Supreme draws inspiration from the life of legendary American table tennis player Marty Reisman, filtered through Safdie’s character-driven style. Tyler contributes uniquely to the ensemble cast along with Gwyneth Paltrow, Odessa A’zion, Kevin O’Leary, Abel Ferrara, and Fran Drescher. The mix reflects Safdie’s tendency to blur the lines between prestige casting and unconventional choices. Together, the group grounds a story that favors texture and tension over spectacle. The film was shot during an especially demanding stretch for Tyler, coinciding with the release of his eighth studio album, Chromakopia. He has spoken openly about the physical toll of the schedule, particularly the abrupt shift to filming in upstate New York. In an interview with Apple Music, as reported by Complex, he described the experience with characteristic bluntness: “It’s for the love of this f*cking game. The warm weather back home is a distant memory now as we shoot upstate; I even caught a cold from the sudden chill. I’m feeling worn out, and I’m pretty sure my hotel had mold—no joke.” Adding to the challenges, Tyler managed his priorities with impressive dexterity. As part of the film’s rollout, Chalamet also tapped into hip-hop culture to promote the project. He appeared on a remix of EsDeeKid’s “4 Raws,” delivering a verse that nods directly to the film: “Since 2017, I’m livin’ the dream / Gettin’ the cream, I’m livin’ on theme / Doin’ ’em things, It’s Marty Supreme,” honoring Tyler in spirit.

Kanye West once again became the subject of intense online speculation over the weekend after an alleged “bucket list” began circulating across social media. The document spread quickly, tapping into the public’s long-standing fascination with West’s private ambitions and unpredictable persona. Given his history of public spectacle, many were quick to accept the claims at face value. The episode offered a familiar reminder of how rapidly rumor can eclipse verification in the digital age. The list, which surfaced Sunday, combined relatively ordinary aspirations with entries that appeared designed to provoke reaction. Mentions of global travel were paired with more eccentric pursuits, blurring the line between plausible curiosity and internet fabrication. From the start, the source of the document remained unclear, with no confirmation tying it directly to West. Even so, the speculation moved swiftly, fueled by curiosity and algorithmic momentum. View this post on Instagram Kanye West Addresses the Claims By Monday, West responded directly on X, attempting to halt the narrative before it traveled further. He stated unequivocally that the list was not his and denied any connection to the handwriting or contents shown online. While his clarification settled the immediate question of authenticity, it arrived after the story had already captured widespread attention. As has often been the case, the explanation followed the viral moment rather than preventing it. With the rumor now dispelled, attention returns to West’s creative trajectory rather than imagined personal pursuits. In recent months, he has publicly acknowledged past controversies and issued apologies to individuals he previously criticized, gestures some interpret as an effort to reenter public favor. Whether audiences are prepared to move forward remains uncertain, particularly in light of the backlash surrounding his remarks in 2022. Still, a devoted fan base continues to hold out hope that a compelling musical release could shift the conversation once more.

DJ Akademiks is questioning the role of modern media in shaping culture, arguing that traditional outlets no longer drive what becomes popular but instead follow trends that already generate attention and revenue. During a recent livestream, the YouTube personality and hip-hop commentator said media companies are largely reactive, not influential. “Most media companies… we all chase what’s popular. We don’t look to popularize,” Akademiks said. “That’s the real facts about it.” Akademiks explains that media doesn’t create what’s popular anymore, it just chases what already clicks. “During the Drake vs Kendrick beef, numbers went crazy, biggest money period of my career, I’m sure it was the same for other media outlets too..so media stayed stuck there… https://t.co/dHyP3TlST4 pic.twitter.com/av1aDdVCuV — CY Chels (@SeewhyChels) December 30, 2025 Akademiks framed the issue as a business reality rather than a creative failure. According to him, editorial decisions are increasingly guided by audience metrics. “If A is popular, they’re gonna lean into A,” he said, adding that “clicks generate attention, attention generates clicks, generates money.” As a result, he argued, outlets focus on subjects they already know will perform well instead of taking risks on emerging stories or artists. “They’re not feeding fans stuff,” Akademiks said. “They might bring new information to life, but they’re leaning into things fans already interested in.” While Akademiks acknowledged that he has some freedom on his own platform, he said that level of autonomy is uncommon across the industry. Referencing criticism over his continued coverage of rapper 6ix9ine, he said, “Yo bro, you’re the only one talking about 6ix9ine… yeah, ’cause I want to talk about it. That’s my friend. My bad.” DJ Akademiks Claims Media Doesn’t Popularize Things Anymore For example of how media attention can become self-sustaining, Akademiks pointed to the highly publicized feud between Kendrick Lamar and Drake. He described it as “the gift that kept on giving.” He noted that it marked “the most lucrative time” of his 15-year YouTube career. That financial success, he said, creates a “trickle-down effect” across media, incentivizing outlets to remain focused on the same storyline. “People stay in that moment,” Akademiks said. “You’re gonna keep eating off the corpse off that thing that gets you the most amount of revenue.” He argued that this tendency has broader consequences for hip-hop. Media, he said, will “hyper-focus on a beef a year after it’s done,” even if “it really don’t exist,” because audiences remain invested in familiar narratives. Akademiks emphasized that storytelling plays a key role in how music is sold and consumed. He cited coverage such as the “War on Chiraq” as an example of how media once shaped public understanding of drill music by defining characters, feuds, and context. Today, he said, that role has largely shifted to YouTube documentaries. He adds that traditional media has focused on past conflicts rather than what comes next.

Sean “Diddy” Combs is reportedly gearing up to release a docu-series starring his sons, Justin and Christian “King” Combs. It’s set to premiere on Zeus Network in 2026. The series arrives in the wake of Netflix’s four-part documentary Sean Combs: The Reckoning. This documentary explored allegations of sexual misconduct and other legal controversies surrounding the hip-hop mogul. The new series promises a firsthand look at Justin and Christian’s lives. It offers a perspective shaped by their own experiences growing up under intense public scrutiny. According to Diddy’s team, the project includes personal recordings and footage. It is intended for a controlled, autobiographical narrative, not a third-party exposé. The announcement drew immediate attention from rapper and television executive 50 Cent. He has a long-standing, well-documented rivalry with Combs. On Instagram, 50 Cent shared his reaction: “Wow I want to see this show, I’m not sure this was a good idea.” The comment captures a mix of curiosity and caution. It reflects a broader conversation in the hip-hop community about the potential impact of the series. View this post on Instagram 50 Cent Eyes Combs Family Drama Fans and industry insiders are already debating what insights the Combs brothers might offer. They also discuss how their series will differ from the Netflix documentary produced in part by 50 Cent himself. While some anticipate an intimate, revealing portrayal, others wonder whether the project could amplify existing tensions and controversies surrounding the family. For 50 Cent, the reaction seems to balance intrigue with a sense of prudence. In an era where personal narratives hold significant cultural weight, his response hints at the stakes involved. How will audiences perceive the next chapter in the Combs family story, and is it a risk worth taking?

Benzino has publicly responded to claims from his ex-partner, Althea Heart, signaling that he may pursue legal action for defamation. Over the weekend, Althea reignited persistent rumors about Benzino’s sexuality, sharing a series of text messages on Instagram that she says reveal intimate exchanges. In her posts, she alleges that Benzino is bisexual and accuses him of a romantic involvement with singer Bobby V. One message highlighted her frustration: “You were actually involved with Bobby V.! Please. I tried to love you. And I have my last to provide as a mother to feel good about me losing my homes.” She followed up with, “So you’re admitting your bisexuality, oh my God.” Her Instagram caption added a pointed note of anger and betrayal, featuring a middle finger emoji: “Now I understand why you were creeping behind my back!! You #men are #nasty & #dirty.” View this post on Instagram Benzino responds Benzino responded Monday with an Instagram video confirming his intent to take legal action. “I don’t want to go into too much detail as this is going to be handled in court. I will be filing a lawsuit for defamation of character against this woman who has sullied my name. It’s unfortunate that her behavior has been on display for everyone to see,” he said. He also emphasized his wish to protect his privacy and safeguard his current relationship amid the controversy. This is not the first time Benzino has faced questions about his sexuality. In 2023, he addressed similar rumors on X (formerly Twitter), asking members of the LGBTQ+ community to respect boundaries. “Attention to all in the LGBTQ, abcd!!! I respect your movement and decision to be who you are, but please stop with the weird comments and flirting. I’m not flattered because I’m not gay!! Respect that as I respect who you are!” he wrote, asserting his desire for clarity and personal respect.

Married from 2014 to 2022, Kanye West and Kim Kardashian remain linked through their four children, even as their personal lives continue on separate paths. According to TMZ, the former couple recently came together to celebrate Christmas, placing the focus squarely on their children. Sources described the interaction as measured and respectful, rooted in co-parenting rather than any romantic reconciliation. Those close to the situation have been clear that the gathering was not a step toward reuniting. The holiday reunion arrives during a period of reflection for West, following months of controversy tied to his social media activity and public remarks. He has previously said he sought guidance from Rabbi Yoshiyahu Yosef Pinto as part of an effort to “take accountability” for his actions while living with bipolar disorder. West has framed that reckoning as a parental obligation, likening it to the responsibility of restoring order after chaos. The acknowledgment signals awareness, even as questions about consistency remain. View this post on Instagram After the Divorce, Distance Remains Since the divorce, communication between West and Kardashian has been uneven, particularly during stretches marked by West’s online outbursts. While the Christmas gathering suggested a momentary easing of tension, sources emphasize it was centered solely on their children. Kardashian has spoken candidly about the gaps in communication. As she said on Call Her Daddy in October, “It’s probably been a couple months since we’ve heard from him?” The remark reflects the reality of their current dynamic.

Beyoncé has reached a financial milestone few entertainers ever touch, officially entering the billionaire ranks. Forbes confirmed the achievement this week, placing her among a select group of artists whose careers have translated into lasting wealth. The moment follows the runaway success of her Cowboy Carter tour. This genre-bending run pushed country music into stadium-sized territory. Even by Beyoncé’s standards, the scale of the accomplishment is striking. Launched in April with a marquee opening in Inglewood, California, the tour stretched across North America before wrapping in July in Paradise, Nevada. Over 32 shows, Beyoncé delivered performances that proved as lucrative as they were ambitious. Pollstar reported more than $400 million in ticket sales. Additionally, merchandise brought in an additional $50 million. The numbers place Cowboy Carter among the highest-grossing tours in modern music history. The project also marked a calculated shift in Beyoncé’s creative arc. Forbes noted that her move into country music played a central role in pushing her net worth past ten figures. This makes her one of only five musicians to do so. Released in March 2024, Cowboy Carter followed Renaissance and forms part of a larger, unfolding trilogy. Speaking to GQ, Beyoncé framed her next chapter with clarity and restraint: “I have made an extreme effort to stay true to my boundaries and protect myself and my family. No amount of money is worth my peace.” A shared empire That financial momentum is mirrored at home. Jay-Z became a billionaire in 2019, driven by ventures that extend well beyond music, including Roc Nation and the acquisition of Tidal. As of 2025, Forbes estimates his net worth at $2.6 billion. This cements the Carters as one of the most powerful partnerships in entertainment and business. Their success reflects a long-term strategy built on ownership, leverage, and timing.

Cardi B is asking for grace after several days of online criticism centered on her newborn baby and her relationship with NFL star Stefon Diggs. The Grammy-winning rapper addressed the backlash directly in a candid video shared Dec. 29 on X, formerly Twitter, captioned, “We need a reset.” In the clip, Cardi appeared frustrated but composed as she spoke to both fans and critics. “Y’all need to calm down,” she said. “Y’all been dragging me for three or four days. Been a little bit too mean.” We need a reset pic.twitter.com/sHM7LnWQ7B — Cardi B (@iamcardib) December 29, 2025 She made it clear that much of the commentary focused on personal decisions that cannot be reversed. “I can’t change s—t. Can’t go back in time. I already had a baby,” she said. Using humor to defuse the tension, Cardi highlighted what she viewed as the absurdity of the criticism. “Y’all want me to put my baby back in my p—y?” she asked. “What y’all want me to do?” She also pushed back against commentary surrounding her relationship with Diggs. “Y’all want me to leave my man and f—k yours?” she continued. “I don’t know what y’all want me to do.” Rather than engaging further in online debates, Cardi emphasized her focus on the future. “We only go forward now,” she said, noting that the new year brings mounting professional demands. Cardi B Asks For A Reset In 2026 After Trolls Drag Her Over Boyfriend Stefon Diggs According to the rapper, January will involve intense AM I THE DRAMA? tour rehearsals lasting 10 to 12 hours a day. “I’m gonna be away from my baby, away from my personal life, away from my home,” she explained, adding that the workload has already left her “super stressed out.” Despite the pressure, Cardi stressed the importance of support from her fan base. “I need my support system, my fans, to love me,” she said. “I want y’all to come to my tour and enjoy yourself with me. Don’t be dragging me. It’s enough.” She closed the message with both affection and firm boundaries. “I love y’all,” Cardi said. “I want health, money, prosperity, happiness for this new year for y’all. Wish me the same thing. Leave me alone, though.” The video sparked an outpouring of support in the comments, with many fans urging others to respect Cardi’s privacy and refocus on her upcoming tour. For Cardi, the message was clear: she is prioritizing her child, her relationship with Diggs, and her career, while asking the public to ease the scrutiny as she enters the new year.

Diddy is reportedly releasing a docu-series. Zeus Network released a trailer for an upcoming documentary set to air in 2026. View this post on Instagram

A Washington, D.C., landlord filed a $2.8 million lawsuit against supermodel-turned-entrepreneur Tyra Banks and her business partners Friday, alleging they abandoned plans for a flagship ice cream shop after signing a long-term lease.  The civil complaint, filed in U.S. District Court, claims Banks, her ice cream venture Smize & Dream and partner Louis Martin entered a 10-year commercial lease for retail space in the city’s Eastern Market neighborhood in April 2024.  Instead of opening the Washington location, the lawsuit says Banks and her team dropped the project that summer and shifted attention to a Sydney, Australia, shop. Lease Dispute Over Abandoned Storefront Landlord Christopher Powell asserts in the complaint that he signed the lease expecting long-term tenancy and investment in his property. He says he spent months coordinating with the team about build-out plans.  “Although Mr. Powell made repeated good-faith efforts to resolve this matter amicably, he is now left with deep financial loss,” the lawsuit states. Powell is seeking at least $2,831,331, plus interest, legal fees and other costs allowed under the lease. According to the complaint, Banks and Martin vacated the space in June 2024, stopped paying rent and declined further communication about their obligations. Weeks later, the lawsuit says, a Smize & Dream pop-up appeared nearby while the original lease was still in effect. Banks and her legal team have called the lawsuit meritless. In court filings, they argue the lease was signed by School of SMiZE LLC, not the individuals, and contend the plaintiff’s claims are an “opportunistic ploy by Plaintiff to extort money from Defendants.”  The motion to dismiss also states the defendants raised unresolved property deficiencies as a reason for withdrawing from the lease, claims Powell’s complaint calls false. Plans That Never Materialized Banks launched Smize & Dream in recent years, blending premium ice cream with a mission to empower underserved youth through entrepreneurship.  The Washington location was to serve as a flagship and community incubator, but legal records show it never opened. Instead, the company’s first proper shop now operates in Sydney, where Smize & Dream’s “hot ice cream” concept has attracted attention.